Photo: The mysterious and difficult-to-understand theatrical ritual known only as "Zip-Zap-Zop."
This summer I'm working with the legendary Tim Keo as part of the free, summer arts camp for Cleveland Municipal School kids, Smart in the City - excuse me, that's smART in the City. You can read the inital press release here. There are eight sites in Cleveland, ours is at Nottingham Methodist Church in Collinwood.
It was a bit of a terrifying headache for me starting out as a) I was arriving home from England on Sunday the 24th, b) Toni was not even leaving Hopkins but heading straight out again to Goddard, leaving me alone with the kids for eight days for the first time, ever and c) the camp started the very next day.
We're halfway through and everything is working out just fine, thanks. Tim is an excellent partner with whom to work, all of the teachers we are collaborating with are fabulous - our site coordinator Marquita is a dream, she's our stage manager, showing up first thing and always being the last to leave - and the students are all happy to be there ... at least, the ones who have made it this far. A few have drifted away during the past week or so, which I would only have imagined from a free arts camp in the middle of summer. Just too many other options, you know?
Photo: Members of Team Three - Kalen, Ontario and Andre'a - stand proud before the just-composed "Modern Seven Ages".
We've been sharing Shakespeare and improv, playing lots and lots of games, and now we have a good two and a half weeks to prepare a "culminating event" to be presented on August 1.
The Moderns Seven Ages of People (with no apologies to Shakespeare)
The world’s like Playhouse Square, and we are all actors.
Everyone has to enter and exit, and in our lives, we all play seven parts.
First the baby, with spoiled milk, spoiled Gerber – eats anything that’s spoiled, and then throws up.
Next the student, a noisy game-player who still thinks Santa Claus is real.
Then a teenager, whose hormones are going crazy and disrespects his mother and watches MAD TV.
And then, a partier, still watching MAD TV, he doesn’t work or like George Bush, and gets his money off the street, the fool.
Then an actor, working with children in a church basement, in mismatched socks and a big loud voice, and so he plays his part.
The sixth, the grandparent, so old he knew Burger King when he was a prince, retired, a geezer, needy and moaning.
Finally, the cat-lady, surrounded by cats, still watching MAD TV, I’ve fallen, and I can’t get up.
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