Showing posts with label running. Show all posts
Showing posts with label running. Show all posts

Sunday, June 24, 2007

Day Seventeen: London to Cleveland - Transatlanticism

Photo: Cyberman on Leicester Square.

I don't like summing up. Summing up is for the book, the article or the play. A blog is life in motion, and trying to draw any grand conclusions at the end of a long journey is as pointless as trying to draw one at the end of any given day.

Often I do exactly this when composing a blog entry, and I generally find myself simply dropping the last paragraph before publishing.

"Publishing." That's funny. Getting paid is nice, but what the hell, we'll call it publishing.

Non-stop from London to Cleveland. That's my idea of luxury. Once we arrive at Hopkins, Toni will turn around and board a plane for Vermont. It is year two of her work at Goddard College and she has a week on campus in Plainfield, that leaves me alone with the kids until next Monday. Well, alone with Kelly, my parents, and anyone else who will help.

Yesterday was a frazzled attempt to bring things to an enjoyable close. I had floated the idea of getting half-price tix to take Z. to see Mary Poppins. While Henrik drove most everyone and our bags back to Battersea, Toni, Kelly and I took a way around Leisceter Square - which in the middle of a Saturday afternoon was an insane crush of tourists and opportunists. The lowest ticket price was £32. We called home and said the show was sold out before lingering around some bookstores.

Henrik made curry, and we had an amazing relaxed evening around the vicarage, drinking, talking, watching Monsters Inc. (Zelda just loves that movie.)

Yesterday morning I took a six o'clock run around Plymouth. Today I rose in London. Tomorrow I get up at dawn in Cleveland Heights, take the kids to school, and embark on an arts camp for disadvantaged Cleveland middle school students.

I could really have used a weekend before starting in on that.

Wednesday, June 13, 2007

Day Six: London to Lincoln - Bad Busker

Photo: Royal College of Physicians performance. Big big screen.

Yesterday started well enough, with a well-anticipated 5 mile run. Things quickly soured as the getting-out-the-door ritual was unfortunately stressful. I was exhausted (hmn, going to be at 1 am and waking the next morning at 6 for a five mile run witll do that) and highly anxious about the performance at the Royal College of Physicians. But parenthood took precedence and we took the children to Coram's Fields.

As if the stroll to the park wasn't already stoked with thoughts of anger and indequacy (a rocking chair? hello?) Toni informed me that Coram's Field - a lovely playground (one with a policeman at the gate, to keep anyone without children out) with expansive sandboxes for the toddlers (like Orson) a wide variety of climbing contraptions (for people like Zelda) and even game captains to lead older children in more advanced play - was formerly the site of the Foundling Hospital. The bad historical juju, coupled with the sight of my own children playing without a care in the world made something inside of me crumble and I just had to sit and stare.

We arrived at the RCP in plenty of time to set everything up - including a lovely, wooden rocking chair. I didn't want to get into it with anyone, I was about to collapse. I realized I hadn't had anything for lunch, so Kelly and I breezed into the crowded hall where the food was, avoiding eye contact with absolutely everyone, loaded up a small plate, snatching an apple, a hunk of cheese, and bunch of grapes, and escaping back to the little room to the side of the stage.

There was a couch, some chairs, a table. I ate and whined about my life as Kelly, dutiful as always, listened patiently, and then went out to get everything arranged on stage and in the booth.

A large painting, a portrait, of Edward VII hung on the wall. He looked like my Dad, except for the suit.

Photo: The panel discussion.

I had never been so unsure of myself before a performance. And this wasn't even such an unusaul event, but I was so shaken, exhausted, overwhelmed and unhappy, I had no idea how I was going to be able to do this. Toni came backstage and we talked. I just resigned myself to my fate, the show would go on, of course. I just hoped it wasn't terribly awful.

The music started, Calvin's Theme, if you will (check my "Profile," it's there) and I stepped out and did something I never did before. The lights were on full, and I took my time walking to my place in the center of the stage. I usually just keep my eye on that spot, move to it, and look at my hands. This day I looked at everything. The table, the phone, the stepladder, I turned to look at the rocking chair. I took in this room of memories. It gave me confidence.

The room was a lecture hall, maybe three hundred seats, with an estimated 170 attendants, but they were spread evenly throughout the seats. The seats were steeply raked. I was mic'ed (I wasn't in Carlisle, they could hear me whisper in the back of that room without one) and when the opening music faded, I looked up and said, "WHAT?"

I surprised myself, and everyone else, by the volume. Good start, though.

And it was a good show, craning my neck up to the top, taking in the entire audience. Why has it taken five years to become so comfortable with this play? It's like something new, I am looking at the audience, not over them. I feel I am talking to them, not performing for them.

It was warm in there, some people were slouching a bit in their seats, but I didn't mind. The show was working. There were groans, laughs - the British jokes work.

It's become "We had a real English breakfast; eggs, bacon, sausage, turkey rashers, meat, meat and meat," as a complete list, not as commentary.

Photo: Nice shirt - and just in time, too.

The line, "Have you ever noticed, there are newborn babies everywhere ... even in Britain," always gets a laugh in London. It got a bigger laugh in Carlisle when I said, "even in London," which is what I will no doubt repeat tomorrow in Lincoln.

After a short break for coffee, there was a panel discussion about the entire conference, and Toni participated in that. After we stayed and shook hands with a number of folks, including some young couples - two couples each lost a child just this past November. They all impressed me with the way they had already incorporated their children into their lives, though they all had stories about how difficult some family member was being in ackowledging their lost babies.

The rocking chair thing, it turned out, was simply a last-minute error. The chair that they did in fact have at the SANDS office has recently been picked up, unbeknownst to those who knew they still needed it, by the owner who had since left "on holiday." The whole, "throw a blanket over an office chair" was a last-minute fix, an attempt to set things right, without realizing how important it was to me, or the show. A mistake, not some intentional (or even unintentional) slight. But hey, I get so few opportunities for diva fits.

For dinner we joined my brother and his family at a Giraffe close to our hotel. I was practically brainless, but the cocktails were scrumptious and I did my best to be personable. However, this 5 mile running, nervous breakdown having, solo performance acting twit was not through yet. I felt I had earned some joy, and so I left bedtime to Toni, and went out pub-hopping with Kelly and Adrienne. Adrienne finally got to hear the true story of how her sister and I hooked up, which seems creepy since I've know her since she was ten. However, as has been previously mentioned, she is now 23 ... which was how old Toni was when we started dating.

Oh Jesus Christ am I old.

Anyway, the pints were tasty, the conversation was blue, and I went to bed shortly before 1 am.

Photo: Zelda learns a fun magic trick from a complete asshole.

We caught the 5:50 out of King's Cross on our way to Lincoln, and I am writing this on the train. The day was spent quite liesurely, largely in Regent's Park. Con and Adrienne set off on their own the explore Westminster Abbey, and we just strolled through the park, paddled out on the pond to get a closer look at the baby birds, and took a nap under the trees.

We made a brief trip to Covent Garden where we saw the worst magician ever. I have seen buskers make fun of the crowd before for not applauding, but this guy was a legend. He actually stopped his act before it was over, to chastise us for standing around like dummies, and backed away without taking any money.

What a dick.

Friday, April 13, 2007

31 Runs for 31 Years

Last fall I ran the New York Marathon. Yay for me. Then, around Thanksgiving, I entirely ceased running. Let's eat, drink and sleep for a change. By January I was feeling puffy and sluggish and really, really depressed. But the weather was miserable, worse than miserable, and so was I. So by early February I was inspired to finally get back out there, sub-freezing temps be damned.

I had gotten used to listening to PODRUNNER, which I still subscribe to ... but I knew I would need shorter workouts if I was going to maintain any kind of regularity in my runs. No more hour-plus runs, that's too much time, and besides, I needed to get back into shape.

So instead I crafted thirty to forty-five minute playlists - and each one would be from a different year. I didn't put them together in any particular order, but I found I could go back as far as 1977 - before that I don't have enough music in my library with enough punch. Actually, they didn't make music with punch before then.

As it also turns out, 1977 was the year I came into awareness of the larger world. Star Wars, Three Mile Island, President Carter, Saturday Night Live - and Top 40 radio, I started consuming culture that year. I cannot claim to have actually listened to everything on my 31 years worth of playlists when they were released, but if I made playlists of what I was listening to at that time, well, I would probably be doing a lot of strolling, not running.

So, for those of you who don't already following my other blog, Daddy Runs Fast, here's the run-down:

  • 1977 Daddy likes men
  • 1978 Ja tvoi sluga. Ja tvoi rabotnik.
  • 1979 Flying like a cement kite
  • 1980 Here we go again
  • 1981 The engine's thumpin' like a disco
  • 1982 Fingerpaint the sun on you
  • 1983 Did you know you had this power?
  • 1984 It's a lot like life
  • 1985 No one move a muscle as the dead come home
  • 1986 The sun. More beautiful.
  • 1987 My whole life flashed before I crashed
  • 1988 It's a physical thing but not hard to do
  • 1989 O brave new world
  • 1990 Just a minute let me slip something on
  • 1991 The sun struggles up another beautiful day
  • 1992 Just words and so much skin
  • 1993 We are such stuff ...
  • 1994 The only thing that works for me
  • 1995 Stop f*cking with me
  • 1996 And I'll need a kiss for my head that's aching
  • 1997 My blood wants to say hello to you
  • 1998 Perfect solution to the stress and the strain
  • 1999 Full fathom five
  • 2000 I drank too much last night, got bills to pay
  • 2001 I can go for miles if you know what I mean
  • 2002 It's like St. John said
  • 2003 How much do you commit yourself
  • 2004 I'm fit (but I know it)
  • 2005 You're lucky, lucky, you're so lucky!
  • 2006 Beware of the dork
  • 2007 Tomorrow there's no school so let's go drink some more Red Bull
  • Sunday, August 22, 2004

    Transatlanticism


    What's On David's iPod?
    Transatlanticism
    Death Cab for Cutie
    Transatlanticism

    Ran roughly four miles. Man, Sunday it is a free-for-all, everyone running in every direction. Keep your head up.

    I ran the route twice, alone, and then past the East 72nd Street entrance so I could walk around the Bethesda Terrace. And then that song came on my iPod, as if on cue. An anthem of isolation in the crush of humanity. A 21st century version of Peter Gabriel's Here Comes the Flood or something.

    Walking around that stunning fountain, keeping my eye on the angel, squinting in the sunlight. I want to say something profound about New York, but I can't. Brian and I were having a conversation earlier this week about how self-referential this place is, how bored he gets with plays or movies that feature NYC as a character. I used to feel like that.

    Listening to Simeon, Harris and Israel last night, arguing about the sainthood vs. damnation of Robert Moses, and the innaccuracies of Queens in the Spider-Man movies ... I mean, I thought I was self-involved.

    But how many wonderful, awful places can be concentrated in such a small area? How can you not be overwhelmed? When I look outside my home, I see a street, a tree, a sidewalk. Children who can play in the street. I do not see speeding cars, or garbage, or skyscrapers, or angels, or madmen or geniuses or fantasy or danger or dreams.

    How can you live here? How can you not?

    Saturday, August 21, 2004

    Notes from the Fringe: Day Eight

    I was catching the 6 train home tonight, by myself on the platform at 14th Street - Union Square. A middle-aged Asian man in shorts was on the platform playing electronic sax, a very melancholy tune - he's the first busker I tipped this week ... the right tune in the right place at the right time.

    I have not been thrilled with the way things have fallen out. That sounds ridiculous, I know. I have plenty to be grateful for.

    I am thankful for all of the people whose support made it possible for us to do this work. The folks at Fringe Central have given our show a great deal of positive word-of-mouth. Ron Lasko at Spin Cycle deserves my eternal gratitude for convincing the New York Times that my show was worth paying attention to.

    In spite of all of this, attendance has been weak. We know the show isn't weak. And we know the promotions were not merely the best we could afford. When I was at the Minnesota Fringe last year, there were plenty of pissing matches on the message boards about getting critics to your show.

    And it appears as though all other shows which have received favorable notices in the Times have fared extremely, extremely well.

    We attracted fifteen audience members this evening. And we had a great night, all of us. You can't blame the people who do show up.

    And you can't blame people who read about it and said, no, thanks, sounds great, I don't want to see that. (Well, no, okay, maybe those are exactly the people to blame.)

    If there is anything I am truly disappointed in, it is the lack of support from the other fringe artists. Perhaps one or two have attended, if so I haven't seen them afterwards. It's a shame. I know we are all very busy and whipped and there are so many shows to see, but I have met with a large number of the folks here, especially after taking in their shows, but from what I can see, none have returned the effort. It doesn't speak well for the community, especially to a guy from out of town.

    But I can deal with that. I still have a great love and respect for the City, and will miss it a great deal once we depart tomorrow. I will miss our friends here, and all of the places where we have been hanging out.

    Tomorrow I will go running one last time in the Park, this morning we did the lower circuit, I did it twice, it was over 3 miles. Not as lovely as running the reservoir, but it's still a great track. Harris went with me today, and Liz did some in-line skating.

    Toni and I did some shoe shopping with, or rather for, Zelda. After her nap (during which Toni went out to Shakespeare & Co. and got totally drenched in a big, freak rainstorm) we spent a few moments at the Met before I left to prepare for this evening. God, those girls are fun anywhere.

    By the way, it was my goal to attract 100 audience members to this show, which I thought, with 5 performances, was modest. I am still short 52 people. If you are a fan of this blog, and there are a couple, please join us tomorrow afternoon at 2:15. You can find all of the necessary info at the Bad Epitaph website.

    Tuesday, August 17, 2004

    Notes from the Fringe: Day Four

    Sporting my new FringeNYC cap.
    What's On David's iPod?
    Brand New Colony
    Postal Service - "Give Up"
    (A long distance dedication, going out to the one I love. Awwwww yeah.)

    It feels as though we have been here forever. And yet, only today has the Fringe truly begun for us.

    It was a good morning. yesterday was depressing. Yes, it was good that I stayed home. I needed the rest ... and today was not without its additional stress. 

    But I felt like I was missing the party. Brian returned late last night to report he had seen two awesome shows. Meanwhile, I had discovered, much to my horror, that when I eat alone ... I talk to myself.

    Okay, okay, let's move on. This morning I ran the reservoir. Me and a million others, it was liberating, actually engaging in exercise, I don't think I have ever done that in New York. Not just walking, but running. My entire body thanked me.

    Kelly our stage manager (SM)
    Harris, our General Organization Director (GOD)
    Tech Rehearsal

    Our tech rehearsal was scheduled for 12:30. We had two and a half hours to run through all of the cues and get everything straight. It's a simple show, this has never been a problem.

    Today, it was a problem. I won't say what was the problem ... okay, to be honest, there's some confusion as to exactly what the problem was. 

    It was enough to say we put Grundik in the awkward position of having to kick us out at 3 p.m., with a lot of questions in the air as to how it was going to look for our 5:45, premiere performance.

    Kelly and I limped back to the Village to check Fringe Central and which shows were sold for the evening, and to relax in a rather baroque cafe, sip tea, and count our blessings as regards to our significant others.

    Sunflowers for Calvin. Thank you, sweetheart.
    Opening Performance

    Brian warned me it would be a small house. And indeed, it was. Every show I have seen at the Fringe so far has attracted a respectable crowd. But I have the show no one sees without being urged to see it by someone who already seen it. You can understand the Catch-22 involved.

    The bad news is we only attracted 10. The good news is that half of them were critics. The people who run the Fringe - the people at SpinCycle - are obviously in my corner.

    Yes, I was very tense before it began - I kept hitting my head on the ceiling of their subterranean dressing room. But I thought it might be a good show when Grundik, the venue director, introduced it in his somewhat broken manner:

    "... The exits, in emergency are there and there ... you can get in shows for free by volunteering ... once again we thank you all for coming ... I hate this."

    And then he just walked off the stage, getting a big laugh. I want him to introduce the show like that every single time.

    Too hot for the sweater.
    I flubbed some lines, and I wonder how the revised Sept. 11 scene goes over with a critical New York audience. But the response was strong, I felt good, relaxed ... and Brain said I did my boy proud. That was probably the sweetest thing he could say.

    So. One down.

    After we had some celebratory pub food at the White Horse, and then Brian and I dashed off to see the only show we could possibly catch in the vicinity - the boys from Elephant Larry performing their new sketch show, THE PRECINCT. People who know me know how I am not a big fan of improv of sketch humor. 'Cause it's not usually funny. These guys are funny. We laughed a lot.

    And now I have a day off. Should I go into the Village, sell my show, pass out flyers? Should I visit the Cloisters, the Met, do laundry? Run, sleep, play?

    I don't know. And tomorrow, I think that will be okay.

    UPDATE:  Playhouse Square presents the premiere of the video adaptation of "I Hate This (A Play Without the Baby)" by David Hansen, directed by Chennelle Bryant-Harris and performed by James Alexander Rankin, in the Westfield Studio Theatre on Saturday, October 15, 2022. 

    Monday, August 16, 2004

    What's In David's Mug?
    Throat Comfort tea, lemon and honey.
    (Thanks for asking.)

    Oh well, another rainy day in the Big Apple -- wait, no, that's not me, that was the opening narration from a sit-com. Spoken by a spunky young woman. Let me start again.

    I always find it difficult to wake up early in New York. Must have something to do with exhausting yourself walking the width of Downtown a few times, and staying up until 2 am writing a blog.

    A BLOG! A BLOG! I AM WRITING A BLOG! WHAT AM I DOING, HOW RIDICULOUSLY SOLIPSISTIC CAN I BE???!!!

    Glad I got that out.

    The plan was to take it easy, sure. And it was raining. But Brian and I walked downtown a little, swinging through Central Park, briefly, so I could eyeball the reservoir. Great running track around the reservoir, and I was hoping to begin tomorrow (and tomorrow, and tomorrow.)

    We would return to the Village, he had a box office meeting, and I would sit around, maybe catch a show. But shortly after lunch I realized that the catch in my throat was not simply overuse, but probably something else. Toni has a cold. Zelda has a cold. And I decided, forget this, I am going home.

    Note to Donna; Brian wanted me to tell you we had lunch at this Indian place that had an awesome buffet. And the mango lazzis were real tasty. You would have loved, loved, loved it. Mmmmmmmmmmmm.

    And can I just report how awesome Erin is (and her roommates Katie and Tom) for letting us stay here. They keep a very neat and pleasant home, and I hope we aren't mesing up the feng shui too much (but then, if I have to ask ...)

    Anyway, it's a lot of tea, rest and Harry Potter. Oh, and maybe going over my lines. Am I nervous? Well, here's the thing ... I do not expect a critic. I think I would prefer not having one. I have been clocking the reviews in the New York Times and some of them are pretty blunt. I just want people to show up. And I need to do the best I can.