And now that I have gotten past last night, it appears we are truly in the home-stretch. This is kind of sad. I HATE THIS has been (and will continue to be) such a bittersweet journey. The fact is, I love this show. I never dread performing it - the way I inevitably end up dreading to perform everything else. It is difficult, but not really, not difficult in the way I love telling it, the way I love sharing our story, mine, Toni and Calvin's, with so many people. It's a mission, I suppose. Is it hard to watch? Sure, but not hard like going-to-church-hard, I have been stunned at the way this show opens people up, it turns people on, it has destroyed a few, but they all have such amazing things to say about it - especially the destroyed ones.
I HATE THIS SCRIPT - a brief history
I began conceiving of it as early as August, 2001 - driving home from the New York Fringe.
I told myself I wouldn't begin writing until 2001 was OVER.
I began writing in January, 2002, and had a first draft before Calvin's first birthday - which I revised shortly after his birthday.
The staged reading was at Dobama in August, 2002. This is where I discovered that the play isn't mere self-abuse, but a good play people enjoyed hearing. And that I could play it.
The reading was attended by the artistic director of CPT, who invited me to participate in BIG BOX at the end of February.
In December, 2002 I get accepted into this festival.
February 28 - March 1 & 2 we do the BIG BOX run.
The rest is pretty much covered from the beginning of this blog.
So how long does it take to create a play? Two years? One? A couple weeks? I wonder how long I will be producing this.
One show I neglected mentioning was TYRANNOUS REX which was stunning. Not only the extent to which diminutive Nicola Gunn is a freakish changeling, but the use of music and lights is nothing short of miraculous. The woman jumps in and out of characters - and thoughts and time and space. It was fabulous.
Today we saw Laura Park in PARK N RIDE at the Brave New Workshop. I was a little nervous at first, we had been looking forward to her show after meeting her first at the end of the out-of-towner showcase last Thursday (oh so long ago) and then again the next night at VOICE-IN-HEAD. The beginning of the show was a little slow for me, I coudn't tell if this were a story or just stand-up, and she is a tremendous physical performer, I fretted we would be bogged down in Wisconsin jokes.
Shortly after that the ride really took off and I was delighted. The characters - her bizarre roommate Jen (I think her name was Jen) that was an excellent turn, and the Gap business, the truck driver ... very good, a very talented performer - and she's got a HUGE face! I am very glad I saw that.
Then Denny and Nick and I saw CRITTERS, we'd seen a bit of that at Balls last Saturday. I liked most of it, especially the subway part. This was my only dance show this week - people have been carping about the lack of dance coverage in the media ... but then people have started to carp about everything. I think they're all just afraid to say good-bye. I know I am.
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