
Ali has cut my tethers. So much of the original I HATE THIS was static. Sitting. Telling stories. Until I suddenly leap into action, bolting around the hospital bed in order to hit the intercom, movement is pretty slow and measured. These things will change. Working in Fefu's Kitchen, a tiny room but pretty much the dimensions of the stage in the Storefront, I am encouraged to address everyone, on all four sides, in close. This is new. Turning around, putting my back to the corners, using the entire space. We have been playing, I have been speaking low -- so as not to interrupt performances of DARWINII, but also because I am reserving strength, I am very tired from work, and am aware of how much energy the ATYD rehearsals will take out of me.
Bounce on your toes for three hours. It's a little trying.
We play with gestures, those I was aping for ATYD, get folded back into IHT. Reflection. Memory.
My family is making plans for Sunday. Calvin would be ten. Calvin is ten. How do you fill a decade? With words, to be sure. The girl is looking forward to visiting the zoo. The boy ... has been invited to someone else's birthday party. How do you tell a five year-old he can't go to a birthday party for his schoolmate so you can commemorate a dead sibling? That's easy -- you don't. You take him there. You make it work. It's all a celebration.
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