Toni just threatened to kick my ass if I ever again use the word “journal” as a verb.
Oh sure, the rest of the United States uses the word “impact” as a verb, and I get my ass kicked.
So today has been non-traditional. Actually, the morning started the way it has most days this week - with the door of the theater still locked at 10 AM. We had gotten used to running lines in the coffee shop until whenever the skeleton crew that runs Dobama during the summer gets in, but today we just said the hell with it and I did scenes out in the Courtyard, in front of the former Arabica.
Man, that place used to be so nice. Now it isn’t. Maybe the Grog Shop relocation will help things, but I doubt it.
Anyway, actually moving around makes it easier to get the lines perfect. Later I ran into someone downtown who saw me there, acting. Cool!
So anyway, downtown they were having some kind of arts fair near Playhouse Square. There were vendors outside where E. 14th and Hudson meet Euclid, and then the Cleveland Theater Collective had set up a place they were calling the “Rehearsal Room” in the Halle Building - a little trivia for those who don’t live here, the Halle Building, in particular the Wyndham Hotel facade part of the Halle Building, is the establishing shot for Drew Carey’s department store, whatever that place is called.
The “Rehearsal Room” was a former men’s store or something, and they set up a stage in front of the window on Euclid, with folding chairs facing it, and of course, the street. Anyone standing on the stage, facing the audience, gave Cleveland’s busiest thoroughfare a great view of their ass. For a half-hour today, that would be me.
Yes, I had agreed to do part of IHT for the event. Greg Vovos’ directed a piece that came before me, Michael Sepesy was doing bits from his play “Loserville” (which he is taking to FringeNYC this summer) and I got what was supposed to be twenty minutes, which was expanded at the last minute to a half-hour.
At first I was kind of cheesed, but then I thought, well, that’s half the show - and why not? It may be good promotion for the Dobama gig next weekend.
And it didn’t go badly. No lights, sound, slides, props, nothing, just me and a half dozen people who wandered off the street - and they stayed! They watched the whole thing, it was very nice. We were all nervous at first, it was awkward, I had to introduce myself, and then I didn’t know where to look, at them (seated below me) or above their heads ... but as it went along we all got more comfortable.
I can do this play anywhere, any place, any time. Bring it on!
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