Sarah Morton and I had a joint interview with Linda Eisenstein for the Cleveland Plain Dealer this afternoon. Even though our shows don’t open for several weeks, this story will run in time to get the word out for the Dobama performance on the 12th.
Linda is a playwright in her own right (write?) and asked a lot of really good questions about how artists influence other artists – the conversation just naturally flowed in that direction, I guess, because of the extent to which Sarah and my works have influenced each other’s. That surprises me, actually, I still think of myself as a novice writer or playwright, and I see Sarah as this genius, the idea of my having an effect on her work is flattering.
But the facts remain – I directed her first one-woman show, The Eighth Wonder of the World in 1998. That was the same year I also acted in her Love In Pieces and Eight Impressions of a Lunatic, the year Sarah told Linda she called the "David Hansen" year, though I referred to it as the "Sarah Morton" year.
Now, in spite of my being a great admirer of her work, I would have found it difficult to write my own one-person show without going to the 2001 Fringe and seeing the variety of solo shows I did. Sarah is an amazingly poetic writer, and she has a much broader vocabulary than I do. It was hard to think of writing for myself without thinking my work had to be 'heightened' in some way. However, I decided to just be myself with this story, tell it, use my journals, why not? It works for Trent Reznor.
Meanwhile, having broached such an intensely personal subject, Sarah says seeing IHT made it possible for her to feel comfortable (if that is the right word) tackling her own demons with 4 Minutes to Happy.
"Fubu"
"We just had our first line of urban apparel? Do you mean FUBAR?" - Brian
I might have meant FUBAR, but I think I really meant BUFU which means something similar, but a lot less passive.
G.O.D.
Harris is our man in New York (we have a woman in New York, too – Hi, Liz!) and he is acting as ACR at a technical meeting this afternoon. We will be asking the important questions, checking with other companies about getting a screen, or using our projector, or whatever deals he can carve. And he will have a camera, so we will have photos of the space tonight.
And then I will have a much better idea of where I will be, literally, on the 17th.
I pressed Harris for a bio earlier for the program and he asked what his title was and I said "Technical Operator" unless there was something else he preferred. He told me … and I suggested instead we call him "General Operations Director" so we don’t offend anyone.
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